silent frenzies

to bring you that one cloud in this cup of water

It is impossible to make my portrait because of my mobility. I am not photogenic because of my mobility. […] I have no confidence in myself and great confidence in others. I need love more than food. I stumble and make errors, and often want to die. When I look most transparent is probably when I have just come out of the fire. I walk into the fire always, and come out more alive. […]

I think life tragic, not comic, because I have no detachment. I have been guilty of idealization, guilty of everything except detachment. I am guilty of fabricating a world in which I can live and invite others to live in, but outside of that I cannot breathe. I am guilty of too serious, too grave living, but never of shallow living. I have lived in the depths. My first tragedy sent me to the bottom of the sea; I live in a submarine, and hardly ever come to the surface.

I am apparently gentle, unstable, and full of pretenses. I will die a poet killed by the nonpoets, will renounce no dream, resign myself to no ugliness, accept nothing of the world but the one I made myself. I wrote, lived, loved like Don Quixote, and on the day of my death I will say: “Excuse me, it was all a dream,” and by that time I may have found one who will say: “Not at all, it was true, absolutely true.”

— Anais Nin, The Diary of Anais Nin, Volume IV 1944-1947
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